Booksellers know how important a good story is — one that reaches out, pulls you in and keeps you reading late into the warm summer night. As readers seek out recommendations for their summer travels, booksellers are scouring their shelves for the stories that shine.
During The Intouchables' opening sequence, a black driver takes a white passenger on a wild ride through contemporary Paris at speeds that attract the police. When pulled over, the motorist claims he's hurrying to the hospital, and his charge — who turns out to be quadriplegic — pretends to be having a seizure. After the cops depart, the two men share a laugh and a cigarette; then they roar off, blasting 1970s funk.
A once-promising writer turned heroin addict, Anders (Anders Danielsen Lie) is released from his rehabilitation center for a day for a job interview in Oslo. Even as he goes out into the world, his melancholy mood continues to plague him.
Joachim Trier's first film, Reprise, was a giddy, hyperstylized account of the delights and despairs of Norway's young literary set. His follow-up, Oslo, August 31st, features some of the same themes and one of the previous movie's stars. But the writer-director's mood has downshifted dramatically.