As humane as it is disturbing, Polisse rifles the files of Paris' Child Protection Unit in search of successes, failures and all the shades of ambiguity in between. If the movie's jumpy edits and raw emotions jangle the nerves, that's intentional: This documentary-mimicking drama is designed to evoke the experience of working a beat that can never become routine.
Elena (Nadezhda Markina), a dutiful wife to her wealthy husband and a burdened mother to her layabout son, manages to balance the needs of the two, until she learns her husband plans to leave her family nothing in his will.
Credit Zeitgeist Films
Elena cares for her husband Vladimir's (Andrey Smirnov) needs in a relationship whose true nature is not entirely clear.
On its surface alone, Andrey Zvyagintsev's Elena is an intensely compelling slice of noir about moral rot and class warfare in post-Soviet Russia. Deeper down, the movie seethes quietly with the moody influence of other East European masters of the timeless ineffable. If Zvyagintsev were a less inscrutable filmmaker, he might have titled his new film Crime Without Punishment — but we'll get to that.