Simon and the Oaks, a handsomely upholstered Swedish drama about two troubled families trying to survive World War II, is based on a runaway best-selling novel by Marianne Fredriksson. The film was made with money from several Scandinavian countries once occupied by the Nazis, as well as from Germany itself. It won a truckload of Swedish Oscars, and in the accolades heaped upon the movie, the word "epic" is thrown around with abandon.
Originally published on Thu October 25, 2012 9:52 am
Some might characterize what filmmaker Ross McElwee does as navel-gazing. But in the hands of this veteran documentarian, that which might be self-indulgent egomania from a lesser artist is often the stuff of quiet revelation.
Beneath a bright blue, near-cloudless sky, a lone aluminum trailer sits amid the sagebrush, the flat amber earth and the forbidding heat of Death Valley. Oddly enough, the trailer's single inhabitant doesn't seem the hermit type: Frank (Charlie Hunnam) is young, well-dressed and extremely handsome, the kind of blond-haired and blue-eyed good-looking that usually comes with easy confidence and a modeling contract.
Ben Affleck's new thriller, Argo, chronicles a secret CIA rescue mission — a mission that remained classified for years. When details finally came to light, the operation sounded like something only Hollywood could come up with. As we find out, there's a reason for that.
It's 1979, and the Iranian public's hatred for their U.S.-backed shah erupts when he leaves the country. A crowd grows around the U.S. Embassy in Tehran — they're climbing the gates and taking dozens of Americans hostage.