From Swift to Orwell, political satire has played a major role in the history of European fiction. Much of it takes on an allegorical cast, but not all. The Fall of the Stone City, an incisive, biting work by Ismail Kadare — one of Europe's reigning fiction masters — refines our understanding of satire's nature. Kadare's instructive and delightful book takes us from the 1943 Nazi occupation of a provincial Albanian town, the ancient stone city of Gjirokaster, to the consolidation of communist rule there a decade later.
In the 1970s, a young man named Paul Haggis was walking down a street in Ontario, Canada. He encountered a man peddling a book.
"And he handed the book to Paul, and he said, 'You've got a mind — this is the owner's manual,' " journalist Lawrence Wright tells NPR's Steve Inskeep. "And inside, there was a stamp saying 'Church of Scientology,' and Paul was intrigued, and he said, 'Take me there.' " Haggis soon became a member of the Church of Scientology — and he's a central character in Wright's new book, Going Clear: Scientology, Hollywood and the Prison of Belief.
How healthy is the traditional publishing industry? Not very, says Mark Coker, founder of the self-published book distributor Smashwords. On Monday, Coker told NPR's Audie Cornish that "over the next few years, traditional publishers are going to become more and more irrelevant."
Ann Harada is that rare Asian-American musical theater actress who's never starred in The King and I or Miss Saigon. After a few summer stock stints as Bloody Mary in South Pacific, Harada realized if she was going to make it in theater, it would be as a character actor. In 2003, she originated the role of Christmas Eve in the irreverent puppet musical Avenue Q, a part she played on and off for six years.