We were all struck last week by Noel Murray's A.V. Club piece "The changing face of'nerds' (and autism) in popular culture," so we spent this week's first segment talking about the separate but related matters it raises of how popular culture deals with nerds and how it deals with autism, not to mention how it deals with the messy and imprecise crossover between the two.
If you want to make a movie, you generally need a lot of money. And filmmakers have to be creative about raising it.
Just ask the filmmakers at the Sundance Film Festival, taking place this week in Park City, Utah. Some 10 percent of the films selected for this year's iteration of the prestigious festival raised money through the crowd-funding website Kickstarter.
In the three years since the website launched, Kickstarter-funded films have been nominated for Oscars, picked up by Showtime and HBO, and honored with awards at Sundance, South By Southwest and Cannes.
Originally published on Sun January 27, 2013 8:18 am
In the decade since Israeli director Eytan Fox made Yossi & Jagger, the precursor to his sublimely tender new drama Yossi, Israel has undergone two significant changes. A tacit and active homophobia has given way, at least in the open cultural climate of Tel Aviv, to a matter-of-fact acceptance of gay rights. At the same time, Israeli cinema has bloomed, becoming a thriving international presence in just about every genre.
The Gatekeepers is an Israeli documentary based on long interviews with the six surviving heads of the Shin Bet â€” that's Israel's domestic security service. These six "gatekeepers" were in charge for more than 30 years.