The "Bumper Car Psychos" are easy to spot. While the other bumper cars at New Jersey's Keansburg Amusement Park spin wildly from one collision to the next, the Psychos cruise gracefully around the track, grinning from ear to ear as they slam their targets into the wall.
What do you do when, after 30 years, your husband tells you he is leaving you for someone else? If you're poet Sharon Olds, you grab your spiral-bound notebook and write about it. And though the marriage ended in 1997, she has waited 15 years to tell us about it — half as long as her marriage lasted.
Half of the Pop Culture Happy Hour crew is scattered to the four winds — if, by "the four winds," you mean "an assortment of movie theaters in Toronto" — but before parting ways, the old gang met up to discuss a question that's been vexing me. What are the tipping points, I vex, that push various forms of entertainment over the line between "long enough" and "too long"?
Long before Bridesmaids convinced studio executives that a raunchy, female-centric comedy could find a huge audience, Leslye Headland was busy adapting her play Bachelorette into a movie. So this isn't a copycat rom-com, but the themes do overlap. Each film turns on a female rivalry: In Bridesmaids, it's between the maid of honor, Kristen Wiig, and the bride's rich friend, played by Rose Byrne. In Bachelorette, the rivalry is more complicated, more ... ugly. It's between the three, 30-ish, unmarried central characters and the bride.