Relocating Dangerous Liaisons, the 18th-century French erotic intrigue, to 1930s Shanghai is a bold move. And yet it's not especially surprising. In Chinese movies, that city in that decade frequently serves as shorthand for decadence. And what could be more decadent than two debauched ex-lovers cold-heartedly planning to destroy the innocence of not one but two virtuous women?
The Oscar race for best foreign-language film rarely comes without a helping of muslin-and-bonnet dramas stuffed with misbehaving royals, masked balls and burgeoning job opportunities for food stylists. As heritage cinema goes, however, the year's Academy Award entry from Denmark is a firecracker.
During the holidays, family kitchens are ground zero for intense craziness: mixers whirling, timers buzzing, knives flying. So yes, it's understandable that many of us just stay out of way of the experienced cook. Especially when the knives come out and Mama is talking under her breath.
If you read Anne Applebaum's Iron Curtain as a manual on how to take over a state and turn it totalitarian, the first lesson, she says, would be on targeted violence. Applebaum's book, which was recently nominated for a National Book Award, describes how after World War II, the Soviet Union found potential dissidents everywhere.
"It really meant anybody who had a leadership role in society," she tells Fresh Air's Terry Gross. "This included priests, people who had been politicians, people who had been merchants before the war, and people who ran youth groups."
On Monday morning at about 5:30 (I'm an early riser), I woke up, swung my legs out of bed, and stepped into water.
I live in a basement apartment where I've been for four years, and almost exactly a week after I was blessedly lucky to avoid the superstorm — and at a time when some of my New York and New Jersey friends were still in the dark — a freaky plumbing/heating mishap wound up filling my entire apartment with about an inch of water.