Arts

Photography
7:53 am
Fri September 14, 2012

Lost And Found: The Colorful Story Of Charles Cushman

Charles W. Cushman gazes across the Grand Canyon in Arizona, November 1939
The Charles W. Cushman Photograph Collection/Indiana University

In the 1990s, a photo historian made a wonderful discovery: In a trove of boxes headed for the trash was a view of American history like he'd never seen it. That is, America in color, as early as 1938.

Movie Reviews
5:25 pm
Thu September 13, 2012

For Ex-Con 'Francine,' A Rocky Attempt At Rebirth

Former inmate Francine (Melissa Leo) struggles with her newfound freedom.
Washington Square Films

Originally published on Fri September 14, 2012 6:55 am

The opening moments of Francine find Melissa Leo, playing the title role, standing naked, wet and blankly confused in a prison shower. She's on the verge of release after an unspecified crime and an unspecified period of incarceration, and the visual metaphor is an obvious one: a woman in middle age experiencing rebirth, coming into her new world in much the same way she entered at the start.

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Movie Reviews
5:08 pm
Thu September 13, 2012

'Stolen': What's Been Taken Is Mostly The Plot

Will (Nicolas Cage) is a former thief who must race to find his daughter before a onetime partner kills her in Stolen.
Millennium Entertainment

Originally published on Thu September 13, 2012 6:23 pm

Stolen is very different from Pierre Morel's 2008 exploitation megahit Taken: There are six letters in its title, not five. It's set in New Orleans, not Europe. And it stars Nicolas Cage, not Liam Neeson. So any resemblance between these two films about fathers who'll stop at nothing to get their kidnapped offspring back is purely coincidental.

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Movie Reviews
4:55 pm
Thu September 13, 2012

'Liberal Arts': A Lesson In Arrested Development

Emotionally stunted Jesse (Josh Radnor) forms a relationship with Zibby (Elizabeth Olsen), a much younger woman, in Liberal Arts.
IFC Films

Originally published on Fri September 14, 2012 7:08 am

In his first big-screen sitcom, HappyThankYouMorePlease, writer-director-star Josh Radnor emulated Woody Allen. Radnor's second feature, Liberal Arts, is less Allenesque, except for one crucial, and vexing, aspect: It's about an older man's infatuation with a younger woman.

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Movie Reviews
4:44 pm
Thu September 13, 2012

'Master' Actors Deliver Glimpse Into Cult Life

Navy veteran Freddie (Joaquin Phoenix) falls under the influence of cult leader Lancaster Dodd (Philip Seymour Hoffman) in The Master.
Phil Bray The Weinstein Co.

Originally published on Fri September 14, 2012 12:12 pm

Overheard after a screening of The Master:

"So I guess this is an unfinished print?"

"Nope. This is the one they're rolling out."

And it's true that there are moments, especially toward the end of its meandering 137 minutes, when The Master feels like a series of brainy but disconnected thoughts about 20th-century America. That's how writer-director Paul Thomas Anderson works, and for those who don't insist on coherence or closure in narrative any more than they do in life, it's part of the thrilling madness of his method.

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