In an excellent piece at the Press Play blog at Indiewire, Matt Zoller Seitz writes of a screening of From Russia With Love, where he found that much of the audience was too busy guffawing at the elements it found dated to engage the film on its own terms. While he writes eloquently and angrily about the phenomenon of ironic distance, the killer line is this one: "It's up to the individual viewer to decide to connect or not connect with a creative work.
Originally published on Fri September 21, 2012 10:33 am
Nothing like a novel by a young recruit to tell you the truths about an army, as in, say, From Here to Eternity and The Naked and the Dead. In this case it's a book called The People of Forever Are Not Afraid, by Shani Boianjiu, a young female veteran of the Israel Defense Forces. And though it may not be the first of its kind — Moshe Dayan's daughter Yael published some fiction about the Israeli army decades ago — Boianjiu's debut novel has some virtues all its own, and some flaws.
When it comes to healing the wounds of its troubled racial past, the United States is still in its "adolescent phase," says novelist Attica Locke. The 2008 presidential election changed everything she had been taught about race, she says — and, as an African-American writer, she felt compelled to write about that new reality. The result is The Cutting Season, a thrilling, century-spanning story of two murders.
What would happen if two of the biggest names of the Renaissance — Niccolo Machiavelli and Leonardo da Vinci — teamed up as a crime-fighting duo? That's the idea behind Michael Ennis' new historical thriller, The Malice of Fortune. The mystery novel pairs the ruthless political philosopher and the genius inventor and artist together as an unlikely detective team on the trail of a serial killer.