[Monkey See will be at the Toronto International Film Festival (TIFF) through the middle of this week. We'll be bringing you our takes on films both large and small, from people both well-known and not.]
Michael Chabon's Telegraph Avenue is an agreeable if ultimately frustrating shaggy-dog tale of a novel that slips its leash and lopes its discursive and distinctly unhurried way through the unkempt backyards of its characters' lives.
Iraq War veteran Brian Castner opens his new memoir, The Long Walk, with a direct and disturbing warning:
"The first thing you should know about me is that I'm Crazy," he writes. "I haven't always been. Until that one day, the day I went Crazy, I was fine. Or I thought I was. Not anymore."
More than 10 years since a new generation of Americans went into combat, the soldiers themselves are starting to write the story of war. Three recent releases show how their experiences give them the authority to describe the war, fictionalize it and even satirize it.
Yunior grew up tough in a poor neighborhood. He's Latino with African roots, an immigrant and a super nerdy kid who went on to teach at a university. He's gruff and masculine, but he's also an artist — as well as the creation of one.
Dreamworks' animated movie Puss in Boots was a big deal. It won an Oscar, and its swashbuckling, sloe-eyed kitty was voiced by Antonio Banderas.
The meticulous computer-generated animation took four years and something like $130 million to make. But another cartoon, Puss In Boots: A Furry Tail, was hand-drawn in six months for less than $1 million. It went straight to DVD — one of the many low-budget productions riding the coattails of Hollywood blockbusters.