Japanese cinematic extremist Takashi Miike is known for movies that go too far — often because they can't figure out where else to go. So it was revealing when last year's 13 Assassins, a remake of a 1963 samurai adventure, demonstrated a traditionalist streak in Miike's tastes. But that movie is a crystal-meth freakout compared with the director's latest effort, the stately Hara-Kiri: Death of a Samurai.
At 62, the actor Daniel Auteuil is French film royalty, a Renaissance man equally at home in comedy, drama, thrillers — or, given his perennial air of faintly amused irony, some combination of all three. An off-kilter looker, Auteuil fairly oozes Gallic urbanity, so it's easy to forget that he launched his prolific career playing a conniving rustic in 1986's Jean de Florette and its sequel, Manon of the Spring, both directed by Claude Berri and adapted from novels by the writer-director Marcel Pagnol.
When director Lauren Greenfield started filming The Queen of Versailles, a documentary about 74-year-old David Siegel, a billionaire timeshare magnate from Orlando, and Jackie, a trophy wife 30 years his junior, they had outgrown their 26,000-square-foot home.
Here's your vocabulary word for the week: zoonosis. It describes an infection that is transmitted between species. For example, the disease that the husband and wife team of Bill Wasik and Monica Murphy have written about in their new book, Rabid: A Cultural History of the World's Most Diabolical Virus.
Pam Houston directs the Creative Writing Program at U.C. Davis. Her most recent novel is Contents May Have Shifted.
Luang Prabang, Laos, is so close to the equator that daybreak happens at the same time each day. Also each day, a few dozen women set up rice cookers on small collapsible tables on street corners next to the more than 30 monasteries that grace this riverside town. If you get up with them and walk the silent streets in the misty Mekong predawn, you smell, under the sweetness of the frangipani blossoms, the thick odor of cooked starch.