Japanese cinematic extremist Takashi Miike is known for movies that go too far — often because they can't figure out where else to go. So it was revealing when last year's 13 Assassins, a remake of a 1963 samurai adventure, demonstrated a traditionalist streak in Miike's tastes. But that movie is a crystal-meth freakout compared with the director's latest effort, the stately Hara-Kiri: Death of a Samurai.
At 62, the actor Daniel Auteuil is French film royalty, a Renaissance man equally at home in comedy, drama, thrillers — or, given his perennial air of faintly amused irony, some combination of all three. An off-kilter looker, Auteuil fairly oozes Gallic urbanity, so it's easy to forget that he launched his prolific career playing a conniving rustic in 1986's Jean de Florette and its sequel, Manon of the Spring, both directed by Claude Berri and adapted from novels by the writer-director Marcel Pagnol.
When director Lauren Greenfield started filming The Queen of Versailles, a documentary about 74-year-old David Siegel, a billionaire timeshare magnate from Orlando, and Jackie, a trophy wife 30 years his junior, they had outgrown their 26,000-square-foot home.
Maybe we have Frank Capra to thank for the notion that in politics, at least as it plays out in the movies, the little guy is always the good guy. Stephen Gyllenhaal swallows that idea hook, line and sinker in Grassroots, in which an out-of-work Seattle music critic (Joel David Moore) runs for city council without bothering to think the issues through: He assumes he'll automatically change the status quo by donning a polar-bear costume and making an impassioned plea for extending the city's monorail system.
Here's your vocabulary word for the week: zoonosis. It describes an infection that is transmitted between species. For example, the disease that the husband and wife team of Bill Wasik and Monica Murphy have written about in their new book, Rabid: A Cultural History of the World's Most Diabolical Virus.