For its first ever all-Latin American issue, McSweeney's Quarterly Concern has assembled a worthy lineup of writers and translators. Spanning 10 different countries — and featuring contributions from Alejandro Zambra and Juan Pablo Villalobos — this latest offering is as rousing as it is essential. And, true to form, killer on the design front.
There was a time in Eastern Europe when the landscape was dotted with wooden synagogues, some dating to the 1600s. Inside, the walls and ceilings were covered with intricate painted designs. Almost all of these structures were destroyed during the Holocaust, and with them, a folk art. But in Burlington, Vt., a synagogue mural has been uncovered where it lay hidden for a quarter century.
This is TELL ME MORE from NPR News. I'm Michel Martin. Right now I am happy, and I'm sad. I'm happy because it's time for Muses and Metaphor, our very own ode to National Poetry Month. This year, as we've been doing every year throughout April, we've been featuring original Twitter poems written by NPR listeners. Thousands of you have participated. New this year, some of our regular contributors have also weighed in. But I'm sad because April is just about over. So it's time now for our final roundup of Twitter poems for this year.
Originally published on Tue April 29, 2014 10:32 am
Billie Holiday will not be singing unless she "feels it." That's practically her thesis statement in Lady Day at Emerson's Bar and Grill, Lanie Robertson's play about a drug-ravaged nightclub show near the end of Holiday's tortured life. War stories and bawdy jokes are never a problem — and neither is pouring a drink — but if the audience wants a show, they have to wait until Lady Day can give them something real.