Originally published on Mon December 9, 2013 9:11 am
When I was 13, sex was something I was very interested in, but in a studious way. I wanted to know what had been done to me, as someone researches the keyhole surgery on their knee, after the event.
I had entered the second year of the six years when I didn't speak of the-thing-that-happened-to-me-when-I-was-11, and I was looking for explanations of that thing. And I was looking for ways to introduce the subject to my parents, so they would say, "Oooh, I understand," in an unemotional, chatty way, and we could get that thing out into the open.
In the new drama Out of the Furnace, a young man (Casey Affleck) gets involved with a group of criminals and then goes missing. Determined to find him, his ex-con brother (Christian Bale) grabs a shotgun and sets off.
Actor Woody Harrelson, perhaps best known for his role as the bartender on Cheers, steps away from comedy to play a member of that group of criminals, a viscous meth addict and bookie named Harlan DeGroat.
Harrelson spoke with NPR's Rachel Martin about the movie and preparing for a role that required letting loose a lot of anger.
Raised in Tehran, Goli Taraghi attended university in the U.S. and, during the Iranian Revolution, moved to Paris, where she lives today. Her other works include <em>Winter Sleep</em>, <em>Two Worlds</em> and <em>A Mansion in the Sky.</em>
Credit Farhad Daryoush / Courtesy of W.W. Norton & Company
Goli Taraghi writes about life in Iran — about love, loss, alienation and exile. She is particularly equipped to the task, as her own exile from the country began in 1980 at the outset of the Iranian Revolution.
In 1979, she was a professor living in Tehran with her two young children, and initially supported the movement.
"Of course the turmoil started, and then the executions, and the university was closed, and I thought the best thing is to go abroad and stay just one year," says Taraghi.
When writers finish a book, they may think they've had the last word. But sometimes another writer will decide there's more to the story. The madwoman Bertha from Jane Eyre and the father in Little Women are just two examples of secondary characters who have been given a fuller life in a new work of fiction based on a classic novel.