Hundreds of visual-effects artists are planning to picket the Academy Awards on Sunday for the second year in a row. They're hoping to bring attention to what's been happening in their industry.
The field is losing jobs and relocating to countries with bigger subsidies for employers. It's the result of a technical revolution that's changed the profession since it kicked off in the 70s with Star Wars creator George Lucas' visual-effects company, Industrial Light and Magic.
You know, as I host this program, I'm on a social media platform - Twitter, as a matter of fact. There is no group that takes that new social media platform more than teenagers, and that's exactly what worries a lot of parents. Danah Boyd is a respected researcher in the world of social media. She spent years studying teenagers and how they interact online. Her findings are in a new book called "It's Complicated." In this encore broadcast, NPR's Elizabeth Blair reports.
"Submissions Only" is a backstage comedy - in fact, it goes so far backstage, it goes into the auditions. It's the story of eager, hopeful actors, hectored and hectoring agents, and demanding casting directors who work just around the corner from Broadway.
UNIDENTIFIED MAN: (as character) Hey, Pen, I went on theater burn and wrote I don't care who's directing "Jeremy's Fort," as long as Penny Riley is still in it. She's going to be fierce.
KATE WETHERHEAD: (as Penny) Aw. And then did everybody write Penny who?
Blake Bailey is best known for his prize-winning biographies of great writers who were also destructive — and not just self-destructive — people. His books on John Cheever, Richard Yates, and Charles Jackson have been sympathetic, but unsparing.