For one more week, our host and pal Linda Holmes has been roaming the desolate plains of Los Angeles at the Television Critics Association press tour, with only catered lunches and lavishly appointed meet-and-greets to provide sustenance.
So the rest of the Pop Culture Happy Hour gang must soldier on in her absence, with the aid of a scrappy young newcomer who'd been waiting for her big break in front of a microphone: All Things Considered co-host Audie Cornish. We predict big things for Audie at NPR!
Alvin, who's more than comfortable with solitude, is out to clear his mind on the duo's isolated adventure — but he'll need to learn to tolerate Lance's company first.
Tasked with repainting road stripes in a fire-ravaged rural Texas, the comfortably introverted Alvin (Paul Rudd, right) and the talkative but not-too-worldly Lance (Emile Hirsch) aren't the most natural allies — but in Prince Avalanche, they'll manage to connect at least a little.
The typical romantic comedy might end with the wedding, but for Josh (Rafe Spall) and Nat (Rose Byrne), that's just the beginning of the story of I Give It a Year.
Credit Giles Keyte / Magnolia
In addition to their own doubts and dubiosity, Josh and Nat's marriage faces an external challenge or two in the persons of Nat's smooth-talking repeat flirtation (Simon Baker) and Josh's agreeably sensible ex (Anna Farris).
Originally published on Thu August 8, 2013 5:55 pm
I Give It a Year is about what you'd expect from the warped mind of Dan Mazer — Sacha Baron Cohen's close collaborator on Da Ali G Show, Borat and Bruno. Which is to say: a raucously funny comic romance that's deaf and blind to the blithe spirit of romantic comedy.
Ramin Iremadze, 13, is one of a dozen Georgians who responded to a filmmaker's call for young people with compelling stories to tell. His tale takes us to a rural mountain village, and deep within the culture of the former Soviet republic.
Considered in pieces, The Machine Which Makes Everything Disappear is poignant and often hard to watch. Tinatin Gurchiani's documentary takes an episodic look at contemporary youth in her home country of Georgia, weaving together a series of vignettes featuring young people Gurchiani found by putting out a casting call for anyone ages 15-25 who thought their lives were suited for film.