In his new novel, Sycamore Row, John Grisham returns to a character close to his heart: Jake Brigance. Grisham introduced Jake to readers in his first novel, A Time to Kill — an adaptation of which is opening soon on Broadway.
Grisham insists that he didn't plan for his first new Jake Brigance book to come out at the same time as the play. "You know it makes us look real smart," he says. "There is no way, if we had planned, that it would ever happen. It is completely coincidental."
Alan Greenspan was celebrated as a master of monetary policy during his long chairmanship of the Federal Reserve, from 1987 to 2006. But policies put in place during Greenspan's tenure have been blamed by some for the financial crisis that began shortly after he left, and the so-called Great Recession.
If you tear open a packet of M&M's, what's the first thing you notice?
The colors: bright blue, vibrant orange, bold yellow. Kids love this visual stimulation.
But the sponsors of a new petition on Change.org — which is urging M&M-maker Mars to replace the artificial colorings used to create these distinctive hues — say these dyes can make some kids hyperactive.
"In this petition, I'm asking Mars to change to natural colorings," mom Renee Shutters told me by phone. "It's very doable."
Benedict Cumberbatch (left), sporting the white-blond mop of the real Julian Assange, and Daniel Bruhl, who plays Daniel Domscheit-Berg, take on the story of WikiLeaks in <em>The Fifth Estate.</em>
Credit Frank Connor / DreamWorks II
The film's core narrative is driven by the intense relationship between Assange and Domscheit-Berg, but it also ventures into a subplot involving U.S. officials (Laura Linney and Stanley Tucci) dealing with the consequences of WikiLeaks' disruptive data dumps.
The saga of Julian Assange and WikiLeaks is too large a data dump for a two-hour drama. Yet director Bill Condon seeks to complicate as well as simplify in The Fifth Estate, an entertaining if inevitably unreliable current events romp.
The opening credits present a pocket history of textual communication, from cuneiform to the Internet. Condon, who took a similarly breathless approach with Kinsey, is announcing that his subject is nothing less than how the Web transformed communication.
Originally published on Fri October 18, 2013 2:40 pm
Other than a single shouted expletive toward the end of All Is Lost, the only words we hear from its central character — a sailor adrift alone on the Indian Ocean — come right at the beginning, in a note of apology to unknown recipients for unspecified sins.