Originally published on Fri June 28, 2013 10:14 am
See if this sounds familiar: You're seated in a movie theater, watching the latest IMAX disaster flick when someone slides their iPhone out of their pocket and starts texting their significant other. The glow from the phone lights up their face like the man in the moon and somehow — despite the $75 million used on the pyrotechnic budget alone — that blue-white glow at the edge of your vision triggers instincts honed over millions of years of evolution, and you find yourself incapable of focusing on the movie.
When their aircraft develops mechanical trouble, three flight attendants — Fajas (Carlos Areces), Ulloa (Raul Arevalo) and Joserra (Javier Camara) — set out to put passengers at ease ... using some unorthodox methods.
Credit Paola Ardizzoni/Emilio Pereda / Sony Classics
A tabloid queen (Cecilia Roth) learns from a hit man (Jose Maria Yazpik) that two can play at the assassination game.
I'm So Excited! a less-than-exciting new romp from the great Pedro Almodovar, dusts off one of the hoariest plot tricks in the farceur's playbook: Trap a bunch of upstanding citizens in a confined space with no exit, and watch their ids — along with their secrets and lies — come out to play.
Neil Jordan seems well aware that audiences may be feeling deep fatigue about vampires. So with his latest, the director of Interview With the Vampire makes a vampire film that seeks to reinvent the species, while harking back to a more classical — read: less sparkly — take on the genre.