Difficult Men: Behind the Scenes of a Creative Revolution from The Sopranos and The Wire to Mad Men and Breaking Bad, explores what the author Brett Martin describes as the "Third Golden Age of TV," based on a new kind of television character.
Subscription cable channels don't have sensitive sponsors, commercials or concerns about language or violence. In the book, Martin argues that this relative freedom, combined with the old-fashioned appeal of serial storytelling, creates a new kind of high-quality television programming.
Embassy Row — otherwise known as Massachusetts Avenue — in Washington, D.C., is decorated with flags of every nation, flying in front of impressive embassy buildings.
In front of the embassies, there are often statues of national heroes. Winston Churchill graces the grounds of the British Embassy. Outside the Indian Embassy, Mahatma Gandhi looks as though he's in full stride, clad in loincloth and sandals.
And now, there's a Hindu goddess. Saraswati just arrived. She stands in a garden in front of Indonesia's embassy, glowing white and gold, with her four arms upraised.
They can watch us, of course. We knew they could. We suspected. But to have it confirmed, to discover that exactly this and precisely that, these emails we sent, those calls we made, are neatly documented and filed away (just in case there should be a future cause for concern, of course, don't worry yourself, it will probably never be you) ... that's a little uncomfortable.
Growing up in apartheid South Africa with widespread state censorship, it was hard to get to know our political leaders. The first time I actually saw a photograph of Nelson Mandela was in high school in the mid-1980s.
A braver classmate had managed to sneak a few grainy images into our school — a full-face, younger Mandela, his fellow Robben Island inmate Walter Sisulu and the South African Communist Party leader Joe Slovo.