When we talk about a triple threat we're often talking about a versatile athlete. Think about a basketball player who can score, defend, and rebound. In show biz, B. J. Novak may be that triple threat. He can do standup, act, and write successfully in all cases. He got his start doing standup comedy. That led to a job on the hit comedy series "The Office" where he had a regular part and was one of the writers.
So here's the setup: It's 1987. Frank, a convicted murderer, has escaped from a New Hampshire prison, and he's holding Adele, a fragile divorcee, and her 12-year-old son, Henry, captive in their own house until they eat his chili.
Turns out it's good chili — so good that it inspires Adele, whom the handsome convict has tied up very gently and tenderly, to reminisce about a conversation she and her son had about his sex education class. Seriously, it's some good chili. And did I mention that Frank is handsome?
"This is our tradition, our culture, our release."
So says one of the 12 O'Clock Boys — a large group of dirt bike and ATV enthusiasts who, depending on your perspective, either grace or terrorize the streets of Baltimore each Sunday with acrobatic feats on their motorbikes. They weave through the city traffic, popping extended wheelies, the line of their bikes almost at vertical, approximating the hands of a clock at noon.
Originally published on Fri January 31, 2014 4:24 pm
By the end of Charlie Victor Romeo, almost 800 people will be dead, with hundreds more injured. But this methodical film, adapted from a theater piece first performed in 1999, doesn't actually show any of that carnage. It focuses tightly — very tightly — on a few people who are trying to prevent disaster.