To mark the Jewish holiday of Yom Kippur, the day of atonement, Jews fast from sundown to sundown. But before the sun sets, friends and family gather to enjoy one final meal. And for the Jews of Eastern Europe, that meal traditionally includes kreplach.
Originally published on Fri September 13, 2013 9:13 am
For a while in Jamie Meltzer's mesmerizing documentary Informant, I wondered whether subject Brandon Darby, the lefty activist turned FBI informer, was being played by an actor.
But no: It's Darby, and he's a handsome fellow, with haunted eyes blazing out of a bone structure to die for, and with a Montgomery Clift dimple in his chin. Staring straight into the camera, he testifies with the intense calm of a messiah or a madman, which all too often comes to the same thing. Among other things, this powerfully confused man is a study in American extremity.
The Iowa-born, Zimbabwe-bred actress Danai Gurira (<em>The Walking Dead</em>) stars as half of a Nigerian couple living in Brooklyn and coping with culture clash in <em>Mother of George.</em>
Credit Oscilloscope Laboratories
Traditional Yoruba mores and American expectations are just the beginning of the hurdles that Gurira's Adenike and Isaach de Bankole's Ayodele must negotiate; the question of a child will enter the equation as well.
Originally published on Thu September 12, 2013 5:51 pm
From the start, Mother of George looks at its two protagonists, Adenike (Danai Gurira) and Ayodele (Isaach de Bankole), across distinct gender lines. The film opens at their traditional Yoruba wedding with two contrasted, tightly framed, straight-on shots of the groom and bride's parties.
Later, after the ceremonies, the differences between the two groups become more defined: We watch the women give Adenike child-rearing advice, while the men talk about how best to hide their infidelities.
In Wonder, R.J. Palacio tells the story of Auggie, a tough, sweet, 10-year-old boy, who was born with distorted facial features — a "craniofacial difference" caused by an anomaly in his DNA.
Palacio tells NPR's Michele Norris that the book was inspired by a real-life encounter with her own kids six years ago. They were at an ice cream store and sat next to a little girl with a severe facial deformity. Palacio's 3-year-old son cried in fear, so the author grabbed her kids and fled. She was trying to protect the girl but also avoid her own discomfort.