A fan named Peter Graham once said that the golden age of science fiction is 12. That's true for me, although like many other fans I'd insist that my first exposure to SF happened during the real golden age. The decade from 1965 to 1975 was science fiction's so-called New Wave, when the genre took on both the turmoil of the '60s and the literary techniques of high modernism. The mix of the two created spectacular results, as dozens of energized writers penned scores of wonderful books. To this day their impact is being recognized; 2014 will see Samuel R.
When Jimmy Santiago Baca was 20, he was convicted of drug charges and sentenced to prison. He was illiterate when he arrived at the Arizona State Prison. When he got out five years later, he was well on his way to becoming one of America's most celebrated poets.
Baca writes about oppression, love and migration, and his poems range from just a few lines to many pages.
Outside of China and Taiwan, U.S. museums hold the world's best collection of Chinese paintings. It's worth billions of dollars, but it's also fragile: Over time, these paintings fall apart. In the U.S., there are only four master conservators who know how to take care of them, and they're all approaching retirement.
At the entrance of a new exhibit at Montreal's Musée d'Art Contemporain, visitors are greeted with a red neon glow and a ping-pong of sounds. A dubstep groove thumps. A high-hat skitters. A pow-wow chant echoes from another room.
Beat Nation: Hip Hop as Indigenous Culture has become something of an art sensation in Canada. Featuring more than two dozen artists using beats, graffiti, humor and politics to challenge stereotypes, the exhibit coincides with the growth of Idle No More, an indigenous political movement in Canada.