A stylish if ultimately silly attempt to marry erotic puzzler and art-world critique, The Best Offer benefits from assured performances and an agreeably nutty Ennio Morricone score. The movie plays as if director Giuseppe Tornatore (best known for Cinema Paradiso) is doing all he can with a dubious script. But he's the one who wrote it.
There is something prickly and provocative about the back story of Spike Jonze's Her, a futuristic drama in which a man named Theodore (Joaquin Phoenix) falls in love, as it were, with his artificially intelligent operating system.
I have a few quibbles with this lengthy profile/evaluation of Jennifer Weiner in The New Yorker, particularly in that it makes the common error of describing her argument as primarily about why her own books are not considered literary fiction, when in fact a major part of her argument is that commercial/genre fiction market