Arts

Sunday Puzzle
6:37 am
Sun September 22, 2013

Play The Blame Game

NPR

Originally published on Sun September 22, 2013 10:20 am

On-air challenge: You will be given two words. Think of a third word that can follow each to complete a familiar two-word phrase. The third word will rhyme with one of the given words. For example, given "blame" and "board," you would say "game," as in "blame game" and "board game."

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Photography
6:37 am
Sun September 22, 2013

In Ed Ruscha's Work, A City Sits For Its Portrait

Another image from Twentysix Gasoline Stations: œStandard, Figueroa Street, Los Angeles, taken in 1962. The humble gas station also made an appearance in Ruscha's painted works.
Ed Ruscha Courtesy of the J. Paul Getty Museum, Los Angeles

Originally published on Sun September 22, 2013 10:20 am

For a seminal work of art, Twentysix Gasoline Stations doesn't look like much. It's a small, thin paperback book resembling an old industrial manual — just 26 black-and-white photos of gas stations that Los Angeles artist Ed Ruscha self-published 50 years ago, when he was 26.

"If I showed the book to somebody who worked in a gas station, they might be genuinely interested in it, saying, 'Oh yeah, I remember that place out on the highway.' "

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Author Interviews
6:37 am
Sun September 22, 2013

Abused By Both Polanski And Media, 'The Girl' Moves On

Originally published on Sun September 22, 2013 10:20 am

In March of 1977, a 13-year-old aspiring actress scored what she thought would be her big break: a magazine photo shoot with a famous movie director. What happened that day made headlines around the world: Director Roman Polanski, then 43, gave Samantha Gailey a hefty helping of champagne and Quaaludes, then raped her.

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Books News & Features
6:03 am
Sun September 22, 2013

Banned Romance: What's So Bad About Happily Ever After?

Originally published on Mon September 23, 2013 11:07 am

As Banned Books Week begins, it's a good time to examine one genre that frequently falls afoul of censors: romance.

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Movie Interviews
4:37 am
Sun September 22, 2013

'Wadjda' Director: 'It Is Time To Open Up'

Women aren't permitted to travel unattended in the streets of Saudi Arabia, so Wadjda director Haifaa Al Mansour worked from inside a van, communicating with her crew via walkie-talkie.
Tobias Kownatzki Razor Film/Sony Pictures Classics

Originally published on Sun September 22, 2013 10:20 am

Wadjda, being touted as the first feature film shot entirely in Saudi Arabia — a country with no movie theaters and a relationship with cinema that's complicated at best — tells the story of a defiant 10-year-old pushing back against the social expectations that define her life as a young Saudi woman.

Wadjda's source of independence comes in the form of a green bicycle she wants to buy for herself. But girls in Saudi Arabia don't ride bicycles, so she has to be creative.

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