Originally published on Fri September 20, 2013 8:52 am
You might think that if the driving scenes in your auto-racing movie are the least interesting thing about it, that's a problem. But it's far from a sign of engine trouble for Rush, a swift-moving, character-rich biopic whose kinetic Grand Prix sequences are constantly being overshadowed by genuinely riveting scenes of ... people talking.
But then in a film written by Peter Morgan — of The Queen and Frost/Nixon -- maybe it's no wonder that questions like why they drive, why they want to win and who they want to beat take center stage.
This week's show finds me, Stephen, Trey and Glen together again in the studio, but due to a scheduling tweak, finds us in Historic Studio 45 instead of Historic Studio 44, so we hope you can all still follow the conversation.
It was writer-director Nicole Holofcener's good fortune, and her bad luck, to have snagged James Gandolfini for Enough Said, her comedy about two imminent empty-nesters dipping their toes into fresh romantic waters. Given his untimely death,the film is likely to be remembered less for its own modest virtues than as a last chance to say a bittersweet farewell to its star.