Originally published on Fri September 20, 2013 6:55 pm
Think "Beltway sniper," and what vehicle comes to mind?
Probably not the blue Chevy Caprice actually used by John Allen Muhammad and Lee Boyd Malvo in the random killings that terrorized the nation's capital and its environs in the fall of 2002 — because for most of the investigation, the media's mantra was to be on the lookout for a white van or box truck.
With intrepid host Linda Holmes trapped in the air-conditioned movie theaters of Toronto, the Pop Culture Happy Hour gang was forced to reconstitute itself yet again for this week's episode — this time with our old pal Tanya Ballard Brown, who returns via the power of popular demand. You talk, we listen, people.
What happens when hipsters grow up? Do they become less insufferable with age? Do they learn to contribute something useful to the society they've long scorned, and in turn were scorned by? Maybe they, like Norman Rush's deceased character Douglas, leave New York City and go live in a castle somewhere, work on secret projects for the Israeli government, get a trophy wife and raise a child who opts to worship Odin and live wild in the surrounding forest.
With her weird, wistful new novel MaddAddam, Margaret Atwood completes the apocalyptic trilogy she began with Oryx and Crake and The Year of the Flood. Like its predecessors, MaddAddam is a blend of satiric futurism and magic realism, a snarky but soulful peek at what happens to the world after a mad scientist decimates humanity with a designer disease. That mad scientist is the brilliant bioengineer Crake, whose story is retold in this novel by the Crakers, the post-humans he designed to experience no sexual jealousy, and to eat nothing but plants.