For much of this year we've been hearing headlines effectively saying the government is spying on you. Spy agencies like the National Security Agency gather and store phone records, vacuum up emails by the billions, listen in on foreign leaders' telephone conversations and more. Now a nonprofit writers group, the PEN American Center, is exploring whether the fear of surveillance is affecting creative expression.
It's a question our colleague, David Greene, wanted to explore.
France's Chateau of Versailles has pulled out all the stops for one of its favorite sons, gardener Andre Le Notre, who designed the palace's famous gardens. This year, to mark the 400th anniversary of Le Notre's birth, several of the garden's fountains are being restored and the chateau is hosting an exhibit on his life through February 2014.
Experts say Le Notre'swork was so groundbreaking, it continues to influence contemporary urban architecture.
In the opening chapter of her latest book, novelist Delia Ephron writes that losing her older sister, writer Nora Ephron, was like "losing an arm, it's that deranging." Nora, who wrote When Harry Met Sally, died of acute myeloid leukemia in June 2012. Delia and Nora were writing partners; they co-wrote the movies You've Got Mail and The Sisterhood of the Traveling Pants as well as the off-Broadway hit Love, Loss and What I Wore. Delia was an assistant producer on Nora's film Sleepless in Seattle.
Originally published on Wed December 11, 2013 9:36 am
The meat on your dinner table probably didn't come from a happy little cow that lived a wondrous life out on rolling green hills. It probably also wasn't produced by a robot animal killer hired by an evil cabal of monocle-wearing industrialists.
Truth is, the meat industry is complicated, and it's impossible to understand without a whole lot of context. That's where Maureen Ogle comes in. She's a historian and the author of In Meat We Trust: An Unexpected History of Carnivore America.