Paul Thomas Anderson's The Master is both feverish and glacial. The vibe is chilly, but the central character is an unholy mess — and his rage saturates every frame. He's a World War II South Pacific vet named Freddie Quell, played by Joaquin Phoenix to the hilt — the hilt above the hilt. We meet him at war's end on a tropical beach where he and other soldiers seek sexual relief atop the figure of a woman made out of sand.
And now, we turn to Faith Matters. That's the part of the program where we talk about matters of faith, religion and spirituality. This Sunday night marks the start of Rosh Hashanah, the Jewish New Year, and the beginning of what are known as the High Holy Days, for observance used, the most spiritually profound time of year.
In the 1990s, a photo historian made a wonderful discovery: In a trove of boxes headed for the trash was a view of American history like he'd never seen it. That is, America in color, as early as 1938.