Arts

Monkey See
11:39 am
Thu May 16, 2013

A Farewell To 'The Office': The 10 Best Episodes

Jenna Fischer and John Krasinski in The Office.
Vivian Zink NBC

It really only hit yesterday: It's the end of The Office.

After nine seasons, Dunder Mifflin is going dark Thursday night, with an hour-long retrospective at 8:00 and a 75-minute episode at 9:00 that may or may not feature a cameo from Steve Carell. There have been denials of an appearance from him that could be read as emphatic or tiptoeing, depending on whether you focus on the obvious implications of those denials or the technicalities that might allow for wiggle room.

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Movie Reviews
11:32 am
Thu May 16, 2013

'Into Darkness,' Boldly And With A Few Twists

Zoe Saldana is Uhura and Zachary Quinto is Spock in the new J.J. Abrams-directed Star Trek: Into Darkness, the 12th installment in the franchise.
Zade Rosenthal Paramount Pictures

Originally published on Thu May 16, 2013 1:04 pm

Before I tell you about J.J. Abrams' second Star Trek film, with its youngish new Starship Enterprise crew, let me say that just because I've seen every episode of the original Star Trek and of The Next Generation, and most of the spinoff series, and every movie, I'm not a Trekkie — meaning someone who goes to conventions or speaks Klingon or greets people with a Vulcan salute.

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24 Frames
9:48 am
Thu May 16, 2013

24 Frames on 89.1

Credit Dusty Deen

Paul Hunton visits with Gerald Dolter, director of Moonlight Musicals, about it's production of Les Miserables. You can hear 24 Frames Thursday's on 89.1, Lubbock's Voice of the Arts.

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The Two-Way
6:43 am
Thu May 16, 2013

Book News: Amazon's Tiny Tax Payment Draws Fresh Scrutiny

An Amazon.co.uk parcel passes along a conveyor belt at a facility in Milton Keynes, England.
Bruno Vincent Getty Images

Originally published on Thu May 16, 2013 10:00 am

The daily lowdown on books, publishing, and the occasional author behaving badly.

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Book Reviews
6:03 am
Thu May 16, 2013

How To Put This 'Delicate'-ly ... Not Le Carre's Best Work

Some novelists interest us because they turn the light of a style we enjoy on whatever subject they take up. Some novelists we enjoy because they have found a great subject and work it well and lovingly. John le Carre seems to belong to the latter group, having found his vein of fiction gold in the world of Cold War espionage.

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