The new road-trip comedy Identity Thief — about a guy who confronts a woman who's wrecking his credit rating — is such a catalog of missed opportunities, it probably makes sense just to list them.
The setup: Sandy Patterson, who works in a Denver financial firm (and is not supposed to be mentally challenged), blithely hands over his Social Security number to a stranger on the phone who says his accounts have been compromised, at which point his accounts get compromised. No tricks, no subterfuge, no laughs — he's just stupid.
There's a sequence early in the laughable drama The Playroom that epitomizes everything wrong with it: With her parents out of the house, 16-year-old Maggie Cantwell (Olivia Harris), the eldest of four latchkey kids, sneaks into the garage with her boyfriend on a determined quest to lose her virginity. While the two fumble around clumsily on the floor, Maggie's youngest brother, Sam (Ian Veteto), sits outside the garage door, trying to sew a merit badge onto his shirt but struggling to thread the needle.
Originally published on Thu February 7, 2013 7:14 pm
In the opening sequence of The Sorcerer and the White Snake, two monks step through a giant gate and find themselves in a new world — one made entirely of computer-generated images. Only Fahai (Jet Li) and his disciple Neng Ren (Zhang Wen) are human.
"Don't believe everything you see," the older man warns.
It took years for our fictions to consider the Holocaust narrative. And for an even longer time, a stunned silence hovered over the fate of "Hitler's children" — ordinary Germans during and after World War II. That embargo, too, is lifting, with a significant trickle of novels, movies and television dramas that imagine what it felt like to be the inheritors of the worst that humans can do to other humans.
Originally published on Thu February 7, 2013 4:40 pm
There's no separating Charlie Sheen from Charles Swan, the titular representation of the male id at its most self-obsessed in Roman Coppola's uneven A Glimpse Inside the Mind of Charles Swan III. But for better and decidedly worse, that's the point.