Every weekday, thousands of commuters to the nation's capital drive past the grave of a celebrated American author, and it's a good bet they don't realize it.
F. Scott Fitzgerald, the author of The Great Gatsby, was born in St. Paul, Minn.; he's associated with that city, as well as Paris, the Riviera and New York. But he's buried in Rockville, Md., outside Washington, D.C., next to a highway between strip malls and train tracks.
Originally published on Thu September 6, 2012 4:33 pm
Bradley Cooper has the wolfish grin and raffish charm of a cardsharp — or a baby hedge-fund manager. So at first you may find him a tough sell as a writer of prose so sensitive and "interior" that even an admiring old-school editor tells him it's unpublishable.
Hold on, though. The writer has moral flaws, and a name, Rory Jansen, that's better suited to a designer of racy swimwear than a crafter of lambent sentences about the inner workings of the psyche.
Cannibalism and comedy are strange but remarkably compatible bedfellows. Paul Bartel's cult classic Eating Raoul (1982) set the standard, lampooning prudish post-sexual-revolution values with a chaste couple whose repression leads them to murder — and eventually to serving human flesh. Bob Balaban's considerably darker 1989 Parents used it to examine the underbelly of 1950s wholesome prosperity, with wickedly funny results.
The centerpiece of For Ellen is the long-postponed meeting between a rock-band singer, Joby Taylor, and the 6-year-old daughter whose name is in the title. But writer-director So Yong Kim's wintry character study is primarily a solo act, punctuated by the occasional duet.
Originally published on Thu September 6, 2012 4:50 pm
Fred Schepisi knows how to make the kinds of movies almost no one makes anymore. The tragedy is that they don't make audiences like they used to — and Schepisi's latest, The Eye of the Storm, will feel to many viewers like a movie lost in time and space.
That's no reflection on its craftsmanship, which is superb, or on its performances, which are sterling. But this multigenerational character study, based on a novel by Patrick White, requires a little patience: Its rhythms are slack in places, and its pace is definitely leisurely.