A character we've yet to meet flies through the air in slow motion, above a busy New York street, arms and legs splayed. He's wearing a bike helmet, which is a good thing — because as The Who's "Baba O'Riley" pulses in the background and numbers come up on the screen telling us it's 6:33 p.m., he lands with a thud on the pavement.
For a second or two, he lies there staring — at a car careering toward him, a woman mouthing his name, a bike that lies crumpled at his side. You might want to take those moments to catch your breath. You won't be offered many other chances.
Originally published on Thu August 23, 2012 7:22 pm
Back in 2005, for the Showtime anthology series Masters of Horror, director Joe Dante and writer Sam Hamm were given carte blanche to make whatever they wanted, so long as it came in under an hour and could be classified as "horror."
They delivered, in Homecoming, one of the sharpest and angriest films about the Iraq war to date — a blunt allegory about U.S. soldiers who rise from the dead not to feast on the living but to vote the president out of office. It's an anti-war satire that only technically functioned as a zombie movie.
Originally published on Thu August 23, 2012 7:29 pm
Mike Birbiglia's autobiographical comedy Sleepwalk with Me is about at least three things, in ascending order of significance: the lead character's fear of commitment, his wayward efforts to launch a career as a standup comedian, and his strange proclivity for getting out of bed in the middle of the night and making loud, nonsensical proclamations like, "There's a jackal in the room!"
Originally published on Thu August 23, 2012 7:09 pm
Many science-fiction storytellers worry about robots becoming self-aware and destroying us. The moment the artificial beings attain real intelligence, these tales posit, they'll realize we made them too smart and too strong for our own good, and they'll wonder why the superior beings should be relegated to working assembly lines and doing mundane repetitive tasks when they could be ruling the planet.
Of the roughly 80,000 Chinese children adopted in the United States since 1979, almost all are girls, abandoned at birth by their parents because of China's one-child policy, coupled with inheritance laws that favor boys.