Originally published on Wed December 19, 2012 10:39 am
My family's holiday traditions are simple but consistent: Wake up Christmas morning, drink lots of coffee, eat a good breakfast, and wish each other happy happy. If the weather is nice, we postpone the present opening and pile into the car to head directly to the beach for a walk — a sunny December day along the Northern California coast is something to celebrate. Later, we cook a delicious dinner and sit around the table with a fire glowing in the fireplace nearby.
CIA operative Joseph Bradley (Kyle Chandler) discusses a sensitive operation with Dan (Jason Clarke).
Credit Jonathan Olley / Sony Pictures
Stationed at a covert base overseas, Maya (Jessica Chastain) is a member of the elite team of spies and military operatives (Christopher Stanley, left, and Alex Corbet Burcher, right) who devote themselves to finding Osama bin Laden.
With the screen pitch-black at the start of Zero Dark Thirty, we hear the confusion and alarm of Sept. 11, 2001: News reports that a plane has hit the World Trade Center, then the voices of a 911 operator reassuring a frightened trade center worker that she'll be OK, though she won't.
When the screen finally brightens, it's for a grim "black site" interrogation half a world away — a nephew of Osama bin Laden (Reda Kateb) strung up from the ceiling, bruised and bloodied, finally cut down only so that he can be waterboarded and stuffed into a tiny crate.
Originally published on Wed December 19, 2012 10:22 am
We know from the outset that there's a death coming in Michael Haneke's Amour, a magisterial study of mortality that carried off the Palme d'Or at this year's Cannes Film Festival — and currently tops best-picture lists all over the world. But when we first meet Anne (Emmanuelle Riva) and Georges (Jean-Louis Trintignant), retired Paris music teachers in their 80s, they're in the pink and enjoying a piano recital given by one of Anne's former pupils.
When Christoph Waltz auditioned for the role of SS officer Hans Landa in Quentin Tarantino's 2009 film Inglourious Basterds, he read the passage assigned for the audition, then kept going until he had gone through the entire role as Tarantino himself filled in for the other parts.
"It was partly hilarious, partly just fabulous, partly scary," Waltz tells Fresh Air's Terry Gross. "And we arrived at the end and then we parted and I said to the casting director, 'If this should have been it, it was definitely worth it,' and, well, then they called me back."