Let's just get this out of the way up front: Fede Alvarez's remake of Sam Raimi's horror classic The Evil Dead can't hold a candle, shotgun or revving chainsaw to the original.
Raimi's 1981 debut is a masterpiece of punk filmmaking, a bunch of young enthusiasts who barely knew what they were doing, going out into the woods and stumbling blindly into the creation of a ragged landmark — largely because they didn't know, didn't care or didn't have the money to do it the way it was supposed to be done.
If you want to tell a story, the professional tale-spinners say, make something happen.
That's true, but a happening can be defined as elastically as the teller needs it to be. Sometimes it's a shift in a character's inner landscape — a change in her responses to the common hurts and losses that she's lugged around from childhood — that moves us more than a third-act gunshot ever could.
Crisp in execution and classic in ambiance, The Company You Keep is star Robert Redford's most persuasive directorial work since 1994's Quiz Show. It's a pleasure to watch, even if the payoff is rather less substantial than the backstory.
A team of American researchers is on a treasure hunt for jewels — of both artistic and historic value.
This month, researchers from Denver were in Russia to document the work of Vasily Konovalenko, a former ballet set designer turned sculptor, who created scenes from Russian folk life in semiprecious stones.
In the 1980s, Konovalenko emigrated from what was then the Soviet Union in search of artistic freedom. Now, his legacy is divided between the U.S. and Russia.