There's a wordless sequence in Quentin Tarantino's anti-bigotry neo-Spaghetti Western exploitation comedy Django Unchained in which Jamie Foxx, as recently freed slave Django, hitches up his horse and, along with the man who bought him his freedom — Christoph Waltz's Dr. King Schultz — sets off on an elegiac amble through a snowy western landscape. It's one of the most gorgeous sequences of any film this year, a reverie borrowed, with love, from rare snowscape Westerns like McCabe and Mrs. Miller and Sergio Corbucci's 1968 The Great Silence.
Half an hour into Tom Hooper's adaptation of the long-running stage musical Les Miserables, he fixes his camera on Anne Hathaway's tortured, tear-streaked face, and she delivers what ought to become one of the great moments in musical cinema history — right up there with Dorothy singing wistfully of a land far away, Gene Kelly swinging happily around damp lamp poles, and a problem like Maria singing to the grassy Austrian hillsides. She's that good.
It's awards season for Hollywood as the film industry starts doling out accolades. And this year, some of the films hoping to grab the attention of voters will have these words in common: "inspired by true events."
Think Argo, Lincoln, Zero Dark Thirty — and, of course, Hitchcock.
In the film, Anthony Hopkins plays the legendary film director, and Helen Mirren plays his wife, Alma Reville.