Ask Me Another resident musician, Jonathan Coulton, keeps audiences entertained with his offbeat lyrics and entertaining covers of popular music. JoCo quit his day job writing software in 2005 to pursue a career in music.
Credit Steve McFarland / NPR
Jonathan Coulton, resident musician for Ask Me Another, backstage before the show's final taping during season one at The Bell House in Brooklyn, NY.
Before a hero can rise, he must suffer a fall, and fall the Dark Knight quite spectacularly did the last time around, taking the rap for crimes he didn't commit, marking himself as a vigilante pariah and even letting Heath Ledger steal the reviews. No way that's happening in this last installment. A comic-book tale that has gotten darker than anyone thought possible is now careening toward a burst of light — possibly a nuclear blast — at the end of the tunnel.
Hara-Kiri: Death of a Samurai is set in an era in which some underemployed warriors would bluff their willingness to commit ritual suicide, hoping for money or employment from wealthy families who didn't want to deal with the mess. Hanshiro's (Ebizo Ichikawa) own bluff in the film, however, goes deeper.
Credit Tribeca Film
Hanshiro and Miho (Hikari Mitsushima) in one of the many flashbacks that director Takashi Miike uses to unfold the plot in Hara-Kiri: Death of a Samurai.
Japanese cinematic extremist Takashi Miike is known for movies that go too far — often because they can't figure out where else to go. So it was revealing when last year's 13 Assassins, a remake of a 1963 samurai adventure, demonstrated a traditionalist streak in Miike's tastes. But that movie is a crystal-meth freakout compared with the director's latest effort, the stately Hara-Kiri: Death of a Samurai.
Pascale (Daniel Auteuil) with his sister Nathalie (Marie-Anne Chazel, right) and daughter Patricia (Astrid Berges-Frisbey), who, to his dismay, becomes pregnant in The Well-Digger's Daughter. The film is a remake of Marcel Pagnol's 1940 movie.
Credit Kino Lorber
Felipe (Kad Merad) tries in vain to win Patricia away from the son of a prosperous shopkeeper.
At 62, the actor Daniel Auteuil is French film royalty, a Renaissance man equally at home in comedy, drama, thrillers — or, given his perennial air of faintly amused irony, some combination of all three. An off-kilter looker, Auteuil fairly oozes Gallic urbanity, so it's easy to forget that he launched his prolific career playing a conniving rustic in 1986's Jean de Florette and its sequel, Manon of the Spring, both directed by Claude Berri and adapted from novels by the writer-director Marcel Pagnol.
When they outgrew their 26,000-square-foot mansion, David and Jackie Siegel set out to build their dream home, which was to be the biggest in the U.S. The Queen of Versailles looks at what happened when the recession ruined that dream.
Credit Lauren Greenfield / Magnolia Pictures
Jackie with five of her eight children. Thirty years younger than David, Jackie proves to be more than a typical trophy wife in the film.
When director Lauren Greenfield started filming The Queen of Versailles, a documentary about 74-year-old David Siegel, a billionaire timeshare magnate from Orlando, and Jackie, a trophy wife 30 years his junior, they had outgrown their 26,000-square-foot home.