One of New York's biggest economic engines reopened on Wednesday after being dark in the wake of Superstorm Sandy. Broadway brings in more than $1 billion in annual ticket sales and billions more in revenue from hotels, restaurants and other businesses in the Times Square area. But getting Broadway running, with much of the transportation system down, required some extreme measures.
Writer Joe Queenan<em> </em>reads on average 125 books a year. He is also the author of <em>Closing Time</em><em>, <em>Balsamic Dreams </em></em>and<em><em> </em></em><em> Red Lobster, White Trash & the Blue Lagoon. </em>
Joe Queenan reads so many books, it's amazing that he can also find time to write them. Queenan estimates he's read between 6,000 and 7,000 books total, at a rate of about 125 books a year — (or 100 in a "slow" year). "Some years I just went completely nuts," Queenan tells NPR's Robert Siegel. "A couple years ago I read about 250. I was trying to read a book every single day of the year but I kind of ran out of gas."
Originally published on Thu November 1, 2012 7:02 pm
For most of us, the enjoyment of horror movies depends on the sheer unlikeliness of their storylines. Knowing that the average swamp does not contain a slimy monster or that a nest of cannibals would have a hard time surviving in a depopulated desert — at some point, even mutants have to make a Wal-Mart run — is the cocoa that helps us sleep. And that's the challenge for The Bay: This astonishingly effective environmental nightmare is based on reasoning that, if you've been following the science, seems all too possible.
Originally published on Fri November 2, 2012 11:15 pm
After a very long engagement that began with the original Toy Story, Disney finally made an honest woman out of Pixar in 2006, when it paid the requisite billions to move the computer animation giant into the Magic Kingdom. But Disney's spirited 2010 hit Tangled made it abundantly clear that Pixar had a say in the creative marriage: The story of Rapunzel may be standard Disney princess fare, but the whip-crack pacing and fractured-fairy tale wit felt unmistakably Pixar. From now on, it would seem, Mickey Mouse and Luxo Jr.
Mountain climbing asks a lot of its devotees. One should ideally be in top physical condition, with all senses at peak performance, and possessed of a quality that, if it's not best described as fearlessness, is at least a willingness to ignore the natural instinct not to dangle precariously above a drop of several thousand feet.