In 1981, avant-garde theater director Andre Gregory collaborated with his friend Wallace Shawn and French filmmaker Louis Malle on an oddball project they called My Dinner with Andre.
Now enshrined as a classic — and one of the most-lampooned films in the history of American cinema — the movie is a talky two-hander in which Gregory (or someone very like him) gassed away about his globe-trotting adventures in spiritual enlightenment, while Shawn (or someone very like him) listened in disbelief, then grew entranced.
In theory, it's romantic to watch young couples struggling. We're used to seeing 'em in movies from the '30s, '40s and onward: He makes only enough money to put beans, not steak, on the table. She stretches the meager dollars he brings home by whipping up cheerful curtains patched together from fabric scraps. They may be poor, but they have love on their side, and if they work together, a comfortable and happy life — including the babies that will eventually come — will be theirs.
A team of American researchers is on a treasure hunt for jewels — of both artistic and historic value.
This month, researchers from Denver were in Russia to document the work of Vasily Konovalenko, a former ballet set designer turned sculptor, who created scenes from Russian folk life in semiprecious stones.
In the 1980s, Konovalenko emigrated from what was then the Soviet Union in search of artistic freedom. Now, his legacy is divided between the U.S. and Russia.
Well, now a more subjective study of dreams. It comes from the Humana Festival of New American Plays in Louisville, Kentucky. The festival was founded by Actors Theatre of Louisville. And each year, that theater commissions a new work for its company of apprentice actors. This year's show, a series of three one-act plays, is called "Sleep Rock Thy Brain."
Erin Keane of member station WFPL got a front row seat.