"There comes a time," James Salter writes in the epigraph for his new novel, All That Is, "when you realize that everything is a dream, and only those things preserved in writing have any possibility of being real."
Tina Brown, editor of the Daily Beast and Newsweek, joins NPR's Steve Inskeep again for an occasional feature Morning Edition likes to call Word of Mouth. She talks about what she's been reading and offers recommendations.
This month, as Brown prepares for her annual Women in the World Summit in New York City, her reading suggestions address just that: the role of women in the developing world.
Despite growing up in Virginia, I never tasted grits until I was in college. I remember that first bite vividly, because it left me with the impression that grits were truly disgusting. My freshman roommate would make them with her hot pot, and this vile, gluey goo made me swear they would never pass my lips again.
Fast-forward a couple of years, when I was once again duped into trying instant grits — this time doctored with cheddar cheese and butter. Still horrible. Twice fooled, it's a wonder I ever tried them again.
Time now for a home viewing recommendation from our critic Bob Mondello. This week, Bob is intrigued by the 40th anniversary of the film that put Martin Sheen, Sissy Spacek and director Terrence Malick on the map — Badlands.
The plot's based on a notorious duo and a real-life 1950s killing spree, but when boy meets girl on-screen in Badlands, they're adorable. She's 15, twirling a baton; he's older, styles himself after James Dean, and is the handsomest guy she's ever met.
Elizabeth Strout, author of the Pulitzer Prize-winning book Olive Kitteridge, sets much of her work in Maine, where her family has lived for eight generations. But Strout herself has lived most of her adult life in New York. In her new novel, The Burgess Boys, she writes for the first time about the city she now calls home.