Debbie Reynolds has been in show business for more than 60 years — beginning as an ingenue chirping a novelty tune called "Aba Daba Honeymoon" in one of her first films, a Jane Powell/Ricardo Montalban vehicle called Two Weeks With Love. That was 1950. Today, she's indisputably a grand dame of show business, working with names like Matt Damon and Michael Douglas.
How do you play a character who's been depicted more than nearly any other character in all of Western civilization?
That's the challenge currently facing Irish actress Fiona Shaw, who in the past has played such well-known fictional characters as Harry Potter's Petunia Dursley and Marnie Stonebrook on HBO's True Blood -- not to mention titanic classical roles from Euripides' Medea to Shakespeare's Richard II.
The year is 1915. A beautiful young woman bicycling through sun-dappled woods passes under an effigy of a German soldier and seems entirely unfazed. World War I is raging elsewhere in Europe, but here on the French Riviera life is serene.
The cyclist, Andree, is on her way to pose for an elderly Impressionist painter, Pierre-Auguste Renoir (Michel Bouquet), whom she somewhat startles by claiming to be an artist herself.
There might be a prettier voice in the world than Aaron Neville's, but if there is, it belongs to a bird, and there's no way that bird looks as good in a leather jacket. Neville has sung duets with Aretha Franklin, has a bridge in India named after him, and has had his voice prescribed by British social workers to help people with depression. He has a new album called My True Story.
A New York landmark of sorts is in danger of being wiped off the map. The building now known as Broken Angel was an ordinary 19th-century brick structure until self-taught artist and sculptor Arthur Wood started building on top of it in the late 1970s. Now Wood faces eviction from his own masterpiece — a towering structure that looks like a cathedral built out of salvaged junk.