There are moments, as Derek Cianfrance's Blue Valentine informed us, when the barely controlled rage that is masculinity can be tempered by feelings for woman and child. But eventually the male Id will erupt, and everything will go to hell.
That happens more than once in Cianfrance's new The Place Beyond the Pines, a would-be epic that shifts from character to character and story to story to show how fury passes from fathers to sons. But too much of this seething drama is devoted not to characterization but to posturing.
What's the difference between an action figure and an action star? Very little in G.I. Joe: Retaliation, which features no performances of note, even from such combat-tested thespians as Bruce Willis, Jonathan Pryce and Dwayne Johnson.
The sequel to 2009's G.I. Joe: The Rise of Cobra, the latest Joe is a near-surrealistic mashup of serious themes and juvenile humor, realistic locations and cheesy CGI. Adapted to 3-D after it was shot, the movie is also one of the most aggressive examples ever of the chucking-stuff-at-the-viewer aesthetic.
Easter brings with it many predictable foods: chocolate bunnies, jelly beans, ham, and hard-boiled eggs. But some Italians use the season to feature a surprisingly sweet vegetable dish on their tables.
It's called torta co'bischeri agli spinaci. Francine Segan calls it "Tuscany's sweet spinach pie." Segan is a food historian and author of Dolci: Italy's Sweets. She shared a recipe for the pie for All Things Considered's Found Recipe series.
In 2004, Jim McGreevey was the governor of New Jersey and a rising political star. That was until he admitted his homosexuality, and an improper relationship with a male staff member. What happened next is the subject of the new HBO documentary, Fall To Grace. Host Michel Martin speaks with McGreevy and filmmaker Alexandra Pelosi.
Originally published on Thu March 28, 2013 9:56 am
Last night on American Idol was Motown Night, when we all learned that Motown songs (like "I Heard It Through The Grapevine") should all be sung as seriously as possible, wearing a scowl, with all the fun sucked out. (And that was a performance that was pretty good.) It's in keeping with this season, in which melodramatic ballads have dominated even more than usual.