It's a question that kicks around endlessly without resolution: Can men and women really be just friends? On Weekend Edition Sunday, NPR's Rachel Martin talks to Faith Salie and Mario Correa, hosts of WNYC's RelationShow, about this very topic.
On-Air Challenge: Every answer is a word, phrase or name starting with the letter "B," ending in "Y" and having "A" and "B" inside, in that order, although not necessarily consecutively. For example, if I said "assistant to a baseball team," the answer would be either "batboy" or "ballboy."
Archaeologists have discovered the remains of the Bard's old stomping grounds — ruins of a famous 16th-century theater, buried below the streets of modern London. Known in its heyday as the Curtain Theatre, it's often been eclipsed by its more famous younger sibling, the Globe.
But the Curtain is a big deal in its own right. Some of Shakespeare's most famous works premiered there — Romeo and Juliet and Henry V, just to name a couple. NPR's Rachel Martin talked to the archaeologist who dug up the theater, Chris Thomas of the Museum of London.
"First, I'll tell you about the robbery our parents committed. Then about the murders, which happened later."
So begins Pulitzer Prize-winning author Richard's Ford's latest novel, Canada.
The story is narrated by retired school teacher Dell Parsons as he looks back on the tumult that ensued when his parents — two unlikely criminals — find themselves in a financial bind and haphazardly hold up a small-town bank.
It's part of his job as a writer, Ford says, to set the unexpected into motion.
A writer, illustrator and provocateur in the Roaring '20s, Djuna Barnes stood out.
"She was much more interested in embracing the quirky and embracing that idea that became so famous in feminist circles half a century later," Catherine Morris says, "the idea that the personal is political."
Morris is the curator of a new exhibition of Barnes' writings and illustrations called "Newspaper Fictions" at the Brooklyn Museum's Sackler Center for Feminist Art.