This is not the first time Pakistani author Mohsin Hamid has taken a risky approach to a novel. His The Reluctant Fundamentalist was written entirely in the second person. The bearded narrator of that book sits at a tea stall in Lahore, talking about his drift toward extremism while directly addressing "you," the reader, who is taken to be an increasingly jumpy and terrified American across the table.
Mohsin Hamid's newest novel, How to Get Filthy Rich in Rising Asia, takes its structure from the genre of self-help tutorials. Chapter 1: Move to the City. Chapter 2: Get an Education. Chapter 3: Don't Fall in Love (the book's nameless protagonist, who transforms from rural peasant to corporate tycoon, fails to follow this last directive). After all, the dogged pursuit of success doesn't happen in a vacuum.
Originally published on Wed March 6, 2013 11:42 am
I've always thought caraway to be an underappreciated spice. It holds none of the historical significance of cinnamon, cloves, pepper or other prized spices that for centuries drove commerce among Asia, Africa and Europe (and that ultimately led to the discovery of the Americas).
In flavor, it lacks the Mediterranean perfume of its cousin fennel or the allure of cumin, another close relative. Its aroma is sharp and slightly aggressive, and if you bite into a seed on its own, there is, at first, a certain soapiness to its flavor.
Twenty years ago, theatrical clowns Bill Irwin and David Shiner collaborated on a Broadway show called Fool Moon — a giddy mixture of slapstick, improv and audience participation that proved such a success that it came back to Broadway for two more runs and toured both the U.S. and Europe. Now Irwin and Shiner have put together a new show called Old Hats, and it's been receiving rave reviews off-Broadway.
Irwin and Shiner's rubber-faced, loose-bodied clowning hasn't gotten easier over two decades.
Originally published on Fri March 8, 2013 11:17 am
Dead Man Down is the first American film from Niels Arden Oplev, director of the original Girl With the Dragon Tattoo, but it's not very American. This twisty existential thriller is set in a New York City that's as sun-deprived as Stockholm in January — and one in which nearly everyone speaks English as a second language.