Madalena (Sonia Guedes), a baker in the fictional community of Jotuomba in Brazil's Vale do Paraiba, makes the journey each day from her impoverished rural town to the local coffee shop to sell her bread.
Rita (Lisa Favero) relates to the town's residents as relics of another time, appreciating them with an outsider's view, yet not truly connecting.
The minimalist Brazilian drama Found Memories has a running gag, a small chuckle that gradually morphs into something profound: Madalena (Sonia Guedes), an elderly baker in a remote hillside town, walks her fresh goods to the local coffee shop every morning, where she removes the rolls from her basket and stacks them in a cabinet to be sold. The shop owner, Antonio (Luiz Serra), barks at her to stack the bread his way. But every morning, Madalena ignores him.
What Charlize Theron does for Snow White and The Huntsman in her role as the Wicked Queen is a bit like what Godzilla does for a Godzilla movie: She gives you something big and distracting to look at while a lot of thinly defined victims run around frantically trying to avoid a grisly death at her hand.
Provocative yet far from definitive, Pink Ribbons, Inc. is a critique of "breast-cancer culture." It could even be called a blitz on pink-ribbon charities and their corporate partners — though to use that term would be to emulate the war and sports metaphors the documentary rejects.
As one woman observes, describing the treatment of cancer as a "fight" or a "battle" suggests that the disease is always beatable if patients make a heroic effort. The implication is that people who die "weren't trying very hard."
This month, NPR's Backseat Book Club hits the high seas for an adventurous novel called Heart of a Samurai by Margi Preus. The book begins in 1841, and is based on the sprawling true-life tale of Manjiro, whose destiny was almost determined before birth as a son in a long line of fishermen. But a storm blew his life on a new course, and he became one of the first Japanese to set foot in America.