When the stage lights go up at Chicago's Goodman Theatre on Monday evening, more than 20 high school students will each have a moment to step into the spotlight and perform a monologue from one of the plays written by the late August Wilson. Chicago's contest is one of several regional finals that strives to introduce students to the Pulitzer Prize winner's work. It's also a lead-up to the national August Wilson Monologue Competition that will be held on Broadway later this spring.
You'd think that in telling a story whose novelty is in its veracity, retaining some semblance of that truth might be important. But wrestling history into narrative has its challenges, and things can get hazy when it comes to the facts in a historical drama. So it seems like the next logical step in telling a story with a relationship to truth might be that if you're going to fudge things, at least make it entertaining. Please, pull an Argo.
Cookbook author Diane Morgan first got to thinking about root vegetables after two encounters at her local farmers market in Portland, Ore. She was burdened down with celery root, Morgan says, when a woman stopped her to ask what she was holding and what she planned to do with it.
"It's amazing," Morgan replied. "You can eat it raw, you can eat it cooked, you can turn it into a fabulous soup."
The Education Department has launched an investigation into discipline rates in Seattle public schools.
Students of color have long been punished in far higher numbers than white students in Seattle, but now the department's Office for Civil Rights is looking at whether black students are disciplined more frequently and more harshly than white students for the same behavior.
This still from the alphabetically themed horror anthology The ABCs Of Death is the only one publishable on a website that caters to a broad audience — which says a lot about the tone and content of the 26 short films included.
Despite a reputation for unevenness, anthology films still hold a certain appeal. There's the opportunity to see a few shorts — a form that tends to get bulldozed by feature films due to the economic realities of the industry. There's also the chance to see a number of directors all in once place, trying out something different; it's the cinematic equivalent of a rock 'n' roll supergroup.