Originally published on Mon March 18, 2013 1:43 pm
Jessica Francis Kane drew considerable attention for her artful historic novel, The Report, which explored the repercussions of a tragic incident in March 1943, when 173 people died while rushing into the Bethnal Green tube station for shelter during an air raid. Her portraits of wartime Londoners were psychologically acute and rich in evocative detail. She applies that same skill to her second collection, This Close, populated by 21st century Americans adrift in an increasingly complicated world.
And today's last word in business is: Life on Mars.
The TV show "Veronica Mars" starred Kristen Bell as a teenage detective. Critics loved it. It gained a lot of devoted fans, but the show was canceled in 2007 after three seasons.
RENEE MONTAGNE, HOST:
Yesterday, the show's creator took to Kickstarter to raise money to make a movie version of the show. And in less than 12 hours, those devoted fans pledged more than $2 million, smashing the site's records along the way.
After more than 100 years of ups and downs, General Motors has a lot of history. Most of GM's history is in the form of cars — hundreds of actual individual cars. The company tries to keep at least two of each car in storage. NPR's Sonari Glinton went on a walk through GM's attic to find out about the company's past and future.
Alt-J's Joe Newman has a funny way of singing — especially for the uninitiated, it can seem cartoonish or, worse, affected. He bends his high, twisty voice in strange ways, wrapping it around inventive arrangements that burble and boom and otherwise ramp up a sense of unease. The easiest way to embrace Alt-J's idiosyncratic charm is to witness the band live; to hear how often Newman sings quietly and subtly, and to get a fuller feel for the prettiness at the core of Alt-J's songs.
Backed by only a DJ, New York rapper Le1f and his three-foot blond braids proved an apt counterpart to Yeah Yeah Yeahs' Karen O, who'd finished performing on the nearby Stubb's main stage just minutes earlier. He performed with confidence, command and occasionally avant-garde fearlessness, but also kept an eye trained on a desire to entertain, above all else.