My dad was a mild-mannered guy. Never bragged. Hated sports. Mom won the arguments. He was an avocado farmer near Santa Barbara, but being dad was his No. 1 job.
He read me bedtime stories, never missed a piano recital or a family dinner. And he played it safe: Dad's idea of adventure was driving his Ford Taurus to town without the wiper fluid filled to the top.
In the late 1970s, activists in Iran had a brief moment of hope. The revolution had succeeded; the shah's repressive regime had been overthrown. But things quickly turned for the worse. The newly formed Islamic Republic threw vocal dissenters in prison, and in 1988, it quietly executed thousands of them.
On the morning of Oct. 28, 1971, Egypt woke up to a shock: The Khedivial Royal Opera House was on fire. The 100-year-old, rococo-style architectural gem in downtown Cairo burned to ashes. Ballet costumes, theater sets, musical instruments and velvet curtains were all gone.
On-air challenge: Every answer is a familiar two-word phrase or name in which the first word starts SI and the second word starts with T. For example, given "unadorned set of facts," you would say, "simple truth."
Last week's challenge: Name a movie in two words — five letters in each word. Both words start with vowels. Take one letter in the first word, move it two spaces later in the alphabet, and rearrange the result. You'll get the second word in the movie's title. What movie is it?
So often, we take water for granted. We turn on the faucet and there it is. We assume it's our right in America to have water. And yet, water is a resource. It's not always where we need it, or there when we need it.
Rivers don't follow political boundaries — they flow through states and over international borders. And there are endless demands for water: for agriculture, drinking, plumbing, manufacturing, to name just a few. And then there's the ecosystem that depends on water getting downstream.
So what are our legal rights when it comes to water? And who decides?
The White House is taking its first tentative steps toward arming Syrian rebels. Host Jacki Lyden speaks with James Fallows, national correspondent with The Atlantic, about the U.S.' ongoing struggle to determine when is the right time to intercede. They also discuss moderate candidate Hasan Rowhani's victory in the Iranian presidential election.
It's hard to go unnoticed in New York City, with everyone checking out the latest fashions and hairstyles. As the weather warms, some women who are shedding those winter layers are finding themselves the object of more cat calls, whistles and roving eyes than they'd like.
Artist Tatayana Fazlalizadeh is not going to take it anymore.
Under the cover of darkness, wearing a black knit hit, black leather jacket and black Chuck Taylors, Fazlalizadeh is nearly invisible. She's scouring Bedford-Stuyvesant, Brooklyn, for a blank canvas.
Rebecca Solnit begins her new memoir, The Faraway Nearby, with a question: "What's your story?"
"It's all in the telling," she says. "Stories are compasses and architecture; we navigate by them, we build our sanctuaries and prisons out of them, and to be without a story is to be lost in the vastness of the world that spreads in all directions like arctic tundra or sea ice."