Simon and the Oaks, a handsomely upholstered Swedish drama about two troubled families trying to survive World War II, is based on a runaway best-selling novel by Marianne Fredriksson. The film was made with money from several Scandinavian countries once occupied by the Nazis, as well as from Germany itself. It won a truckload of Swedish Oscars, and in the accolades heaped upon the movie, the word "epic" is thrown around with abandon.
If you do the math, the number of true psychopaths in Seven Psychopaths may not quite add up. Perhaps writer-director Martin McDonagh didn't want to go overboard with the murderous crazies. As it is, he's peopled his whimsically brutal comic thriller with — to name just three — an Amish throat-slasher, a dynamite-packing Buddhist and a serial killer who's fond of white bunny rabbits. That's probably enough.
The original French title of The Big Picture — an adaptation of a novel by American expatriate writer Douglas Kennedy — means "the man who wanted to live his life." That's pointedly ironic, since this existential thriller is about a person who seeks personal freedom by becoming somebody else.
When you think about the great music of science fiction, a few staples spring to mind — say, the theme from the classic Star Trek series, or John Williams' compositions for the Star Wars movies.
Nathan Johnson, the composer for the new time-travel thriller Looper, wanted to break with tradition. Instead of going for that slick, orchestral sound, he immersed himself in the world of the film to find his source material.
The words of the English poet William Blake still resonate 185 years after his death. Blake, who was also a painter and printmaker, wrote the famous lines, "Tyger! Tyger! burning bright / In the forests of the night."