Remember the slow-moving, ridiculously armed ED-209 in the first RoboCop movie? The poor thing couldn't walk down a stairwell, but boy, could that machine leave a bloody mess. Author & Punisher does much the same, for both the ears and whatever's left of the body.
Well, let's go now to that hotbed of cinema and international stars of the big screen: the Cannes Film Festival. Our movie reviewer, Kenneth Turan, has been taking in all the movies and sites from the south of France. He's on the line with us. Hey, Ken.
KENNETH TURAN, BYLINE: How are you doing?
GREENE: Well. How are you doing there?
TURAN: I'm still standing.
GREENE: I guess that's a good sign. The movies are keeping you awake there.
Ibragim Todashev, the 27-year-old man shot and killed after he allegedly attacked an FBI agent Wednesday in Orlando, may have been involved with Boston bombings suspect Tamerlan Tsarnaev in a 2011 triple murder.
[Note: Before Midnight is an especially difficult movie to write about, simply because for some people, even what has become of Jesse and Celine since Before Sunset is information that they don't want. But it's impossible — absolutely impossible — to write about the movie without talking about where they stand and what the premise is. I did my absolute best to spoil as little beyond that as possible.
Editor's note: We're sorry.The video has been removed from this page.
When Igor Stravinsky began composing The Rite of Spring, his ballet for vast symphonic forces, he could hear the music in his head but couldn't quite figure out how to write it down. It was just too complicated.
Each time I see James Blake and his band perform, I feel the extreme rush of hearing something for the very first time. The sound is sharp and visceral; it oddly vibrates the hair on my arms and, at moments of extreme bass, gets me feeling claustrophobic before the inevitable release when Blake sings. It's hopeful, mournful, always thoughtful.