Since the mid-1980s, the U.S. Border Patrol has quintupled in size — growing from about 4,000 to more than 20,000 agents.
The government has constructed some 700 miles of fencing and vehicle barriers. It has placed thousands of ground sensors, lights, radar towers and cameras along the border. And Customs and Border Protection is now flying drones and helicopters to locate smuggles and rescue stranded immigrants.
So here's the question: Is the Southwest border secure?
Rep. Tim Huelskamp, R-Kan., shown in 2010, has said he would deserve a primary challenge if he voted for House Speaker John Boehner's "fiscal cliff" proposal, which would extend the Bush-era tax cuts only on income of less than $1 million.
House Speaker John Boehner and his leadership team are urging them to support his "Plan B" to avoid the automatic tax hikes of the "fiscal cliff." But they're also facing pressure from outside groups that could mount primary challenges against them if they do.
Boehner argues his plan — which would allow the Bush-era tax cuts to stay in place for income under $1 million a year — isn't a tax increase. But a number of conservative groups have come to a very different conclusion.
Christian Petzold's Barbara, set in 1980 East Germany, is a film about watching and being watched. Its central character, the Barbara of the title — played, in a covertly spectacular performance, by the German actress Nina Hoss — is a doctor who's just been transferred by the government from Berlin to the provinces, as punishment for some undefined but easy-to-guess transgression.
With a 13-year-old (Maude Apatow) and an 8-year-old (Iris Apatow), Pete (Paul Rudd) and Debbie (Leslie Mann) have their hands full.
Credit Universal Pictures
While some familiar faces return from <em>Knocked Up</em>,<em> This Is 40</em> also features new characters, such as Debbie's employee Desi (Megan Fox). Other new faces include Lena Dunham and Chris O'Dowd.
Consider the premises of writer-director Judd Apatow's first three comedies:
* A lonely tech salesman (Steve Carell) seeks to end a lifelong romantic drought in The 40-Year-Old Virgin. * A mismatched couple (Seth Rogen and Katherine Heigl) gets pregnant after a regrettable one-night stand in Knocked Up. * A popular but self-centered comedian (Adam Sandler) finds perspective after a grim cancer diagnosis in Funny People.
Basically, Not Fade Away is the saga of a 1960s teenager who plans to become a rock star, but slowly realizes he won't. The movie is set mostly in the New York suburbs. So why does it open in South London, where two lads — you may know them as Mick and Keith — bond over imported blues LPs?
Starring flying debris and surging walls of water, The Impossible takes the template of the old-timey disaster movie, strips it to the bone and pumps what's left up to 11.
Decades ago, perched in front of Earthquake and The Poseidon Adventure and The Towering Inferno, audiences were rewarded with thrills that depended on fleshed-out characters (Steve McQueen as a fire chief!) and multiple interconnected storylines. How pampered we were.
The controversial drilling technique known as hydraulic fracturing has created an oil and gas boom around the country. In states like Texas, Pennsylvania and Colorado, there's been heated debate about rules that protect groundwater and public health.
California is now wading into that arena with the release of the state's first fracking regulations. The state's earthquake-prone geology, however, could bring particular concerns.
Fracking itself isn't new. The technology behind it, though, has changed.
Originally published on Thu December 20, 2012 4:04 pm
Whenever James Stewart played a character, he was always a little bit James Stewart; that's a good thing. Cary Grant was always a little bit Cary Grant — also a good thing. But Tom Cruise, through a career that's spanned some 30 years, is almost always very much Tom Cruise. And that, particularly in Jack Reacher, can be a very tiresome thing.
For more than 35 years, riders on the New York City subways and buses during their daily commute were graced with posters of beaming young women. While the women featured in each poster — all New Yorkers — were billed as "average girls," they were also beauty queens in the nation's first integrated beauty contest: Miss Subways, selected each month starting in 1941 by the public and professionally photographed by the country's leading modeling agency.