President Obama minced no words when he talked about how the looming budget cuts known as sequestration could hurt the Justice Department.
"FBI agents will be furloughed. Federal prosecutors will have to close cases and let criminals go," Obama said.
Starting late Friday, if Congress and the White House can't come to an agreement, the Justice Department will face $1.6 billion in cuts — about 9 percent of its budget. Attorney General Eric Holder told a group of state law enforcement officials who met in Washington this week that the situation looks ugly.
Great deeds start out as current events, move on to history, and eventually, with some craft and embellishment, become folklore and legend. This process is central to the structure of Bryan Singer's Jack the Giant Slayer, which merges elements of the familiar folktale of "Jack and the Beanstalk" with the less ubiquitous "Jack the Giant Killer." It sets the story as a kind of midpoint between one "true" story that has become a legend for Jack, just as the events of Jack's "true" story have supposedly passed into the realm of a simple folk story.
It's a mark of a great filmmaker when a movie is felt first and understood later, allowing audiences to intuit their way through a fog of mystery and sensuality before finally getting a clear view of the landscape. Best known for an operatic trio of revenge thrillers — the second, Oldboy, won the Grand Prix at Cannes in 2004 and a fervent cult following — South Korean genre maestro Park Chan-wook expresses florid emotion in cool, impeccable, gothic language.
Undersea things — iridescent creatures, mossy rocks, silky-slimy plants — are just weird. They're fascinating by their very nature, often barely resembling anything we have on land. Lucien Castaing-Taylor and Verena Paravel's half doc, half art project Leviathan capitalizes on that strangeness while linking it to the more prosaic world of commercial fishermen plying their trade off the coast of New Bedford, Mass.
Explosions rattle the crew. The air is turning fetid. And the captain has ordered a descent toward "crush depth." Yet everything is on course in Phantom, the newest model of the old submarine-from-hell picture.
But the predictability of writer-director Todd Robinson's film is, well, predictable. There are only so many things that can happen in the close quarters of an imperiled sub. What Robinson purports to do is show those familiar undersea events from a different vantage point. All the characters in Phantom serve in the Soviet navy of the 1960s.
I grew up on "Hava Nagila," and I'll admit it's not the catchiest of tunes. The ingenuous Hebrew lyrics ("Come! Let us rejoice and be happy!") don't wear well in our age of knowing irony and ennui.
Hip young Israelis wince at the very mention of the song, and for many Diaspora Jews, a few bars of the tune are all it takes to recall that excruciating moment late in a fancy wedding or bar mitzvah, when the band invites all remaining guests (tipsy uncles included) to kick up their heels — and then go home already.
Originally published on Fri March 1, 2013 12:30 pm
In February, NPR's Backseat Book Club read a novel about a troubled kid who finds both strength and solace in the artwork of the renowned naturalist John James Audubon. The novel, Okay for Now by Gary D. Schmidt, takes place in 1968 in a little town in upstate New York where middle-schooler Doug Swietek is drowning in life's complications.
Our next book club adventure takes us on a journey that is familiar to people across generations: We will be taking a trip down the yellow brick road with The Wonderful Wizard of Oz, first published in 1900. It is one of the most beloved stories in popular American culture, but over the decades, the book has taken a back seat to the wildly successful Wizard of Oz film.
Originally published on Fri March 1, 2013 10:42 am
Over the past few years, Take Five's theme-based jazz lists have covered a wide variety of subjects. We've covered the careers of legends, the cutting-edge work of up-and-coming artists, styles, periods, holidays, regional scenes and more. Today, Take Five goes "meta" and presents a list of songs about... lists.
The lyrical conceits of these five songs are simply to list things. And, of course, feel free to suggest your favorite songs about lists that weren't included here. ("What, no 'Route 66'? Really?")