The Age of Miracles is literary fiction, but it spins out the same kind of "what if?" disaster plot that distinguishes many a classic sci-fi movie. Too bad the title The Day the Earth Stood Still was already taken, because it really would have been the perfect title for Thompson's novel.
This is TELL ME MORE from NPR News. I'm Michel Martin. We're continuing our conversation with a roundtable of doctors, checking in with them about their thoughts about the Affordable Care Act in the wake of the Supreme Court decision to uphold most of the provisions of the act.
I'm Michel Martin and this is TELL ME MORE from NPR News. Coming up, Leo Manzano came from behind to win the 1500 meters track and field national championship last night and with it he booked his place on the U.S. Olympic team. We'll hear how Manzano went from living in a Mexican village with no running water to running for the red, white and blue.
I'm Michel Martin and this is TELL ME MORE from NPR News. Coming up, that 4th of July feast is just around the corner and many of us are hoping to load our plates with meat, but one cook is saying, why not go vegan? Anupy Singla will share her cookbook, "Vegan Indian Cooking: 140 Simple and Healthy Vegan Recipes." That's in just a few minutes.
The Shins are a dream-pop outfit from Portland, Ore. Arising as a side project while singer/songwriter James Mercer lived in New Mexico, the band took on a life of its own after a number of singles such as "New Slang" were featured in films, pulling the young indie rock group into the national spotlight.
In this handout photo provided by the USATF, Jeneba Tarmoh (bottom, lane 1) and Allyson Felix cross the finish line at exactly the same time in the women's 100 meter dash final during Day Two of the 2012 U.S. Olympic Track & Field Team Trials at Hayward Field on June 23 in Eugene, Ore. It's their torsos, not head, hands, feet or arms, that matter.
The transporting music of Exitmusic is so grandiose, so romantically rich, it could easily envelop a concert hall or cavernous church. It's a beautifully buzzing mix of distorted guitars, synth pads and sparse electronic beats, all of which intermingle around Aleksa Palladino's alluring, heartsick voice like a swarm of bees in your chest.