Yale law professor and author, Amy Chua, scored a best seller last year with her memoir, "The Battle Hymn of the Tiger Mother." In it, she describes herself and other so-called Tiger Mothers who go to almost any length to push their kids toward perfection, holding back dinner until she nails that violin cadenza, threatening to put him out for being disobedient or demanding that she get straight As and become a doctor or a lawyer or maybe both.
I'm Celeste Headlee and this is TELL ME MORE from NPR News. Michel Martin is away. Coming up, we'll take a look at the big winners from last night's Emmy Awards, but first, we want to turn to a much more serious topic and this would be a good time to say this conversation may not be appropriate for some listeners.
I'm Celeste Headlee and this is TELL ME MORE from NPR News. Michel Martin is away. Coming up, many parents encourage - some say pressure - their kids to become high achievers, but what if a child just says no? David Yoo discusses his memoir, "The Choke Artist: Confessions of a Chronic Underachiever." That's just ahead.
I'm Celeste Headlee and this is TELL ME MORE from NPR News. Michel Martin is away. Coming up, we'll talk to the head of the Millennium Challenge Corporation. That's a U.S. government agency focused on pulling developing nations out of poverty. But first, it's the final stretch before Election Day. Polls show African-Americans' support, not surprisingly, is solid for President Obama.
Originally published on Mon September 24, 2012 4:01 pm
When it comes to farm raised fish, it doesn't pay to let them be lazy. Fish like wild salmon, tuna and eel are built for the vigorous swimming required during migration.
These fish are "uniquely adapted to a physiology of high levels of exercise performance," says Tony Farrell, who studies fish physiology in the University of British Columbia Zoology department. "Therefore when we put them in constrained environments and remove predators, the consequences are they become a little more like couch potatoes."
If you listen to the music on Charmer, hearing Aimee Mann's vocals as just another lilting instrument, you'd probably think the album was just what the title suggests: a charmer. The melodies have an airy quality, at once floating and propulsive, and even without fixing on the words, you can hear that they're metrically precise, with carefully counted-out syllables and tight rhymes.